![]() ![]() Use the search bar before making a request.You will be banned if you request or share links to full features, if you ask or inform how to pirate, or if you mention a pirating site/app/etc. This subreddit isn't your link farm.ĭue to Administrators' past actions against this subreddit, we have a ZERO tolerance policy regarding piracy. If you wish to be banned, do any of the following: Be rude, harass, ignore the subreddit's rules, promote your site/blog/article/channel/etc., promote your app/company, or post about a movie you worked on. Reddit's universal >!Spoiler Tags!< are mandatory when discussing plot details of movies. When you're making a movie in which a killer is driven to kill in part by seeing the color red, shouldn't you make sure the color we see is actually red? Because the reds in these screencaps are rust brown.Interested in a specific genre or just a great film? Check our Community Favorites! The Rulesīe mindful regarding spoilers. Plus the range of color in that restoration trailer is so limited. Why make your movie a strain to see? I don't get it. But it seems like people doing these restorations are mimicking that low-light, low-contrast digital look. ![]() One of the worst trends in modern cinema. So the French version has this kind of ultra-dark, excessively–green grading? Are people doing this trying to mimic the look of modern digital cinematography? Every time I see "that scene," the scene you see in every modern digital movie, where they shoot using only the brimming dawn light, or a faint light outside the window, refracted through an opaque shade, or whatever low-light scheme they all do now (and sometimes this is more than one scene, and more like the whole movie)––at any rate, it is very cringe. That whole trailer looks pretty dark and grim. PLUS: An essay by critic and novelist Ed Park
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